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This paper analysest the functioning of Sudarshan Rangmanch, Pune, which rose out of the economic compulsions facing contemporary Marathi theatre, and examines how these driving economic concerns have evovled a new mode of cultural production in Marathi experimental theatre.

By Sudhanva Deshpande

A paper by Aparna Dharwadker

The Freedom to think, create & express oneself justifies the existence of a private theatre

An article by Shiv Vishvanathan

An article by Ramu Ramnathan

An article by Akshara KV

An article from www.culturopedia.com